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Fall 2022

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6 | S P A C E S Choosing Art Open any design book or turn on any show and advice is plentiful. Art is subjective. Walk into a home and you instantly know if there's a picture or piece you wish was yours. You also immediately know if you're happy that art is stuck on someone else's wall. Those of us unable to buy the latest mas- terpiece being auctioned at Christie's Auc- tion House still have options. Local options. But there are a few guidelines that will help make your investment — big or small — feel worthwhile for the art you love. Naturally, the first suggestion is to buy items that you love. There's no sense doling out money for something that creeps you out or makes you sad every time you walk by it (unless that works for you – no judgment). Buy items you love. The second guideline is to listen to your financial adviser (or bank account): don't spend over your budget. You'll curse that statue of a deer if you're reminded of your 20 per cent interest rate with each monthly credit card statement. Don't spend beyond your budget. DESIGN EXPERTS HAVE THEIR OPINIONS ON WHAT MAKES GREAT ART. Concerto, 16x12, mixed media collage, by Claude e Castonguay, Woodlands Gallery, woodlandsgallery.com In Summer We See This, 10x10, oil on canvas, by Nicki Ault, Woodlands Gallery, woodlandsgallery.com

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